[ VERD - ORA ]
VERD: GREEN; ORA: TIME
We are a multidisciplinary design studio based in Miami, FL that has worked with municipal agencies, communities, institutions, private businesses, NGOs, and more, delivering permanent spatial interventions, temporary installations, workshops, lectures, development plans, and public policy recommendations.Mariana Lora
Founder & Creative Director
WORK
NEWS
2024Framing the Future (Podcast), Architectural AuthorityUnited Nations' International Day of Girls in Information Communications Technology, the United Nations, the SDGs, and Accountable ImpactInitiatives in our Community, Caplin NewsArt Night Exhibition, AIAS & NOMAS2023Sheltering Structures, City of North Miami BeachAdobe Construction, Bernadette Esquivel y la Universidad de Costa Rica2021Automation for Architecture, Research Article
LET’S TAKE POSITIVE ACTIONS
TOGETHER
Thank you for considering us for your creative needs. Feel free to reach out with any questions or to discuss your project in more detail. We look forward to collaborating with you.

Ⓒ 2025 VERDORA

o₂Rg
Isla del Coco, C.R.
2023
Typology
GENETIC modification
Collaborator
shend bejkollari

SYNBIOSIS BETWEEN HOMO SAPIENS + NATURE
O₂Rg is an experimental organism created through the genetic modification of human and squid skin cells. This creature supports self-sufficient living, providing food, temperature regulation, and environmental adaptation for the living creatures inside it. It has capabilities of contracting and expanding, adapting its spaces based on what the humans are requiring at that time.

The blub
Isla del Coco, C.R.
2023
Typology
GENETIC modification
Collaborator
shend bejkollari

SYNBIOSIS BETWEEN HOMO SAPIENS + NATURE
O₂Rg, #theblub, is an experimental organism created through the genetic modification of human and squid skin cells. This creature supports self-sufficient living, providing food, temperature regulation, and environmental adaptation for the living creatures inside it. It has capabilities of contracting and expanding, adapting its spaces based on what the humans are requiring at that time.





PORTABLE
Portable organism grows anywhere, reaching maturity within 12 hours of placement.
SENTIENT
Sentient organism responsive to individuals, supplying their needs through adaptive reactions.
SKIN CELL MANIPULATION
Latest tech manipulates skin cells to create a self-sufficient, inhabitable organism through biological manipulation.
SELF SUSTAINABLE
Island fauna thrives on nutrient-rich food self-produced by the emerging membrane.
ADAPTIVE REACTIONS
Organism thrives in symbiotic union with humans and nature.
TEXTURE EXPLOR-(CRE)ATION

HIDDEN PARADISE
To demonstrate its consciousness and sensitivity to a fragile ecosystem, O₂Rg was placed on Isla del Coco, a highly protected island in Costa Rica.
TEXTURE EXPLOR-(CRE)ATION
HIDDEN PARADISE
To demonstrate its consciousness and sensitivity to a fragile ecosystem, O₂Rg was placed on Isla del Coco, a highly protected island in Costa Rica.



LOCATION
SENSIBILITY
HIDDEN PARADISE
To demonstrate its consciousness and sensitivity to a fragile ecosystem, O₂Rg was placed on Isla del Coco, a highly protected island in Costa Rica.
LOCATION
SENSIBILITY

HIDDEN PARADISE
To demonstrate its consciousness and sensitivity to a fragile ecosystem, O₂Rg was placed on Isla del Coco, a highly protected island in Costa Rica.

THE CURTAIN
Harlem, NY.
2024
Typology
Jazz Club + HVAC Facility
Area
15803.68 ft²

BREAKING THROUGH
"We see it over and over, how the character of the cities and areas we love are getting lost to fast developmeent that rip away the history of the local architecture. We intend to preserve that identity."
— Mariana Lora.
DESIGN APPROACH
NY S vs. N
ACOUSTICS
Instead of contributing to the reflection of noise in the city, AROW absorbs it. This is achieved through material choices and its irregular surface shapes that reduce sound waves in the air.The irregular surfaces in music rooms and on the building's exterior diffuse and scatter sound, creating a softer and more even impression.
The seating arrangement for the auditorium is influenced by the annular theatre style, where seats encircle a central stage, allowing sound to travel uniformly throughout.

SHAPE

CUTS

TRIM

SEATS
AUDITORIUM
Auditorium Form
Annular Theatre
Quantity of Seats
231
Most Distant Seat
#'-#"
Surface Material
Oak (wood)

BREAKING THROUGH
"We see it over and over, how the character of the cities and areas we love are getting lost to fast developmeent that rip away the history of the local architecture. We intend to preserve that identity."
— Mariana Lora.
Arow ...
STRUCTURE
The project uses steel as a reference to the elegant steel members in the Riverside Drive Viaduct, located northwest of the site.This choice ensures the project's lasting presence, much like jazz has endured.

RIVERSIDE DRIVE VIADUCT

STEEL STRUCTURAL MEMBERS

FRAMING ROOF PLAN - L1
LIGHT

STEEL & GLASS DOME

STEEL & GLASS DOME
INTERIOR

DETAIL SECTION

DETAIL SECTION

LONG SECTION - NORTH TO SOUTH

LONG SECTION - NW TO SE
HVAC

HVAC AXO
JAZZ HISTORICAL LANDMARKS

COTTON CLUB I 1923
656 W 125th St, New York, NY 10027
The Cotton Club, a New York City nightclub operating from 1923 to 1940, was a premier venue during the Prohibition and Jim Crow eras, located first in Harlem and later in midtown. Despite its racially segregated audience, it showcased legendary African American entertainers such as Duke Ellington, Louis Armstrong, Billie Holiday, and Lena Horne, playing a crucial role in the Harlem Renaissance. The club's lavish shows and performances by iconic musicians and dancers elevated jazz to mainstream popularity, leaving a lasting impact on American music and culture.

APOLLO THEATRE I 1913
253 W. 125th St. New York, NY 10027
The Apollo Theatre in Harlem, NY, became an epicenter for showcasing Black creativity and honoring the cultural heritage of the community, introducing icons like Billie Holiday and James Brown. Originally a white-only venue, it was transformed in 1933 by Mayor Fiorello La Guardia's campaign against burlesque, which led owners to focus on Harlem's growing Black community. In 1935, new owners Frank Schiffman and Leo Brecher took over, solidifying its status as a cultural landmark.

SAVOY I 1926
596 Lenox Ave, New York, NY 10037
The Savoy Ballroom, operating from 1926 to 1958 in Harlem, was renowned as the "World's Finest Ballroom" and served as a pivotal venue for jazz and dance, managed by African American businessman Charles Buchanan. Unlike many segregated venues of the time, the Savoy welcomed both black and white patrons, fostering a vibrant, integrated atmosphere that significantly contributed to the Harlem Renaissance. It became a cultural epicenter where legendary musicians like Chick Webb and Count Basie played, and iconic dances like the Lindy Hop were popularized, leaving an indelible mark on American music and dance culture.

LENOX LOUNGE I 1939
288 Lenox Avenue, between 124th & 125th, NY
The Lenox Lounge, founded in 1939 in Harlem, served as a historic venue where legendary jazz artists like Billie Holiday, Miles Davis, and John Coltrane performed, attracting notable patrons including James Baldwin, Langston Hughes, and Malcolm X. Despite facing deterioration, the bar was restored to its original Art Deco glory in 1999, earning accolades such as "Best of the Best" by the Zagat Survey Nightlife Guide. Its closure in 2012 marked the end of an era in Harlem's jazz scene, though efforts to preserve its legacy continue through cultural references such as its appearance in the pilot of "Mad Men."

CLUB DOWNBEAT I 1940s
52 Ave, New York, NY 10027
The Club Downbeat in New York City was a significant venue in the jazz scene of the 1940s, where legendary pianist Art Tatum frequently performed, including a notable period around 1947. In 1941, Tatum recorded with Big Joe Turner for Decca Records, achieving national popularity with "Wee Wee Baby Blues," and later formed a successful trio inspired by Nat King Cole. Despite the rise of bebop, which Tatum did not embrace, his performances at venues like the Downbeat Club solidified his reputation as one of the most technically gifted and influential jazz pianists of his era.

BIG WHILT'S SMALL PARADISE I 1940s
52 Ave, New York, NY 10027
Smalls Paradise, owned by Ed Smalls and located in Harlem, was a groundbreaking nightclub during the Harlem Renaissance, uniquely owned by an African-American and integrated. Known for its vibrant atmosphere and innovative entertainment, including waiter-performers and all-night dances, it became a cultural epicenter where both white and African-American musicians gathered to jam and showcase their talents. The club's enduring legacy includes its promotion of popular dances and its role in shaping the jazz scene, making it a pivotal venue in the history of Harlem's nightlife.

CONNIE'S INN I 1923
2221 Seventh Ave. at 131st St, NY
Connie's Inn, established in Harlem in 1923 by the Immerman brothers, served as a vibrant black and tan nightclub during the Prohibition era. Known for its lively atmosphere and patronage by both black and white audiences, it became a hotspot for jazz musicians and performers. The club's influence on jazz artists was significant, providing them with a platform to showcase their talents and contributing to the flourishing cultural scene of the Harlem Renaissance.

VILLAGE VANGUARD I 1940s
178 7th Ave S. New York, NY 10014-2740
The Village Vanguard, opened by Max Gordon on February 22, 1935, initially featured folk music and beat poetry but shifted its focus to jazz in 1957. Since then, it has hosted many renowned jazz musicians, becoming an iconic venue for the genre. As the oldest operating jazz club in New York City, the Village Vanguard has played a pivotal role in shaping the careers of countless jazz artists and continues to be a cornerstone of the jazz community.

BASIL'S LAFAYETTE I 1912
97 Lafayette Ave, Suffern, NY 10901
The Lafayette Theatre, opening in 1912 on Seventh Avenue in Harlem, was a pioneering venue for desegregation, allowing African-American theatregoers to sit in orchestra seats. It became a cultural hub in the Harlem Renaissance, presenting vaudeville and movies, and providing a platform for numerous African-American performers and jazz artists to reach broader audiences. Although it was converted into a church around 1950 and later demolished in 2013, its legacy as a significant venue for the advancement and appreciation of African-American talent in the arts remains influential.
References
+ chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/https://www.engproguides.com/ruleofthumbcalculator.pdfAcoustics+ https://www.youtube.com/watch?v=pXzZpAGLf3Y&t=551s
+ https://audiochamps.com/what-are-theatre-stage-floors-made-of/
+ Diccionario Visual de Arquitectura (libro)

SERPENTINE
Wynwood, FL.
2022
Typology
ART COMPLEX

IT SWALLOWED US IN
Serpentine's curving walls intrigue passersby, inviting them inside. The smooth interior path guides visitors through its spaces. The right side hosts social areas, while the left is dedicated to visual arts. An underground gallery zigzags through artworks, ending in an artist-only area. The landscape, shaped by the building's reflective facade, features winding pathways that offer shifting perspectives.
SKETCHES

AIR-LLIPSE
Miami, FL.
2024
Typology
HIGH RISE RESIDENCE
KEY COMPONENT
Flora & fauna restoration
Area
15803.68 ft²

GREEN SILENCE
The Ellipse stands as a pioneering endeavor to revive the verdant tropical hardwood hammocks that once thrived in Miami's urban center. This innovative project not only aims to reintegrate the native ecosystem but also to cultivate a dynamic communal hub. Combining residential living with ample community engagement areas, it offers a unique blend of urban convenience and suburban tranquility. The design seamlessly integrates privacy for residents while fostering a sense of belonging and connection within the bustling downtown landscape.
Ecological restoration

At the heart of the Ellipse lies a commitment to native flora, with a diverse array of species carefully selected to mirror the natural biodiversity of the region. From the majestic Live Oak to the delicate Wild Cinnamon, each plant has been chosen to contribute to the restoration of this unique habitat. Moreover, by nurturing 15 endangered and 9 threatened species, the Ellipse demonstrates a profound dedication to conservation and environmental stewardship.





GROUND RESTORATION
Cooling effect for pedestrians walking by or seeking shade underneath the building.
GREEN COLUMNS
The building showcases innovative columns with integrated planter systems, allowing plants to thrive and intertwine, blending nature seamlessly into its architectural framework.
GREEN WALLS
The building's captivating green walls, functioning as living ecosystems, also facilitate a cooling effect throughout its open-air hallways.
SOLAR WINDOWS
Solar windows spanning the entire exterior facade harness renewable energy, ensuring the building's sustainability while reducing its environmental footprint.
OPENINGS
Openings between housing units facilitate airflow, mitigating wind impact, promoting cooling, and improving air quality.
Urban Living / Suburban Appeal

The high-rise residential building aims to replicate the serene and private ambiance of suburban living, featuring spacious, tranquil environments. It incorporates communal green spaces for socialization and relaxation while ensuring privacy between residential units through strategically placed spaces.





FLOOR COMPONENTS
Each component on every floor has been meticulously considered for efficiency, aiming to enhance residents' enjoyment of living in this residential high-rise building while fostering a sustainable habitat.
GROUND OPENINGS
The openings among floors function almost like pores, allowing wind and light to permeate throughout the building, creating a sense of openness and connectivity between the floors.
PLANT COOLING
Gardening components enable the growth of native plants, providing residents with the opportunity to enjoy the cooling effects as they stroll through the air-park.
CROSS VENTILATION
The spaces between residential units serve dual purposes: providing privacy and allowing air to flow through the buildings.
GROUND RESTORATION
Level 0

The square footage that would have been occupied by masses of concrete and rebar, along with private space for a limited number of individuals, has instead been repurposed to host a thriving ecosystem of native species. This initiative aims to restore the natural habitat that existed in this location several decades ago.
RESIDENTIAL LEVELS
LEVELS 1-10

Residential levels feature multiple units surrounding a central park, inviting residents to gather, stroll, and unwind amidst native flora.


TAPPAS BOWL
2024
CLIENT / PROPERTY
TAPPAS, LLC.
Typology
PRODUCT
STATUS
COMPLETED
PATENT
PENDING

LAYERING MEMORIES
Sandra Portal, founder of Tappas, LLC. requested the development of her new collection, the Tappas Bowl. A sustainable bowl made of bamboo.We took her sketch and vision, and made it into a defined product.

FROM A SKETCH
TO A PRODUCT
"I contacted VERDORA to assist me in converting one of my drawings into a digital rendering, and I couldn't be more pleased with the outcome. VERDORA’s attention to detail, responsiveness, and collaborative nature made the entire process seamless. Thanks to her efficient work, we were able to showcase the renderings to clients at a recent trade show. If you're seeking someone reliable and skilled for your design and prototyping projects, I wholeheartedly recommend VERDORA."— Sandra Portal-Andreu, creator & co-founder of Tappas, LLC.




The Cocoon
2024
Typology
Urban Infrastructure
PATENT
PENDING
Area / PODE
9 ft²

DYNAMIC TO CHANGE
Accommodating the diverse needs of individuals given Florida's fluctuating weather conditions, including high rains, intense sun, and heat, necessitated the creation of an Interactive pedestrian shelter, the Cocoon. This design ensures essential protection due to its adaptability. Its interactive features serve as a statement of our commitment to enhancing the daily life of pedestrians, reflecting a thoughtful consideration for the well-being of all users, regardless of the prevailing weather conditions.
HOW IT STARTED
Using Bus Stop Shelters as our precedent, we were able to come to the conclusion that not enough effective protectionb from the sun, rain and heat is being provided in South Florida, and in many different areas, even internationally. This gap in a structure capable of adapting to the changing needs of pedestrians led us to develope the Cocoon.
LACKING EFFICIENCIES
The cocoon provides essential features to comfort you in your daily life.
+ Provides refuge from the Rain
+ Protects you from the Sun
+ Shelters you from the Heat
+ Lights you in darkness
+ Harnesses the power of the sun
+ Lets you see your surroundings
+ Allows breezes to cool you
+ Keeps your devices powered
+ Holds your things
WE TALKED WITH THE PEOPLE

CHRISTOPHER A. WILLIAMS & HIS DAUGHTER
“Thank you for trying to make a change for us.”
— Christopher A. Williams
more than 50 bus stop users interviewed
Interviewing more than 50 bus stop users aloowed us to understand the conditions they have to endure daily while waiting for the bus to come.
Listen to what they have to say
Format
VIDEO
Release Date
Nov. 4, 2023
DURATION
1 min.
A comprehensive survey conducted in South Florida, where we interviewed bus stop shelter users to shed light on the daily challenges they face while waiting for the bus. This initiative aims to raise awareness about the inefficiencies in bus stop shelter designs, highlighting issues such as a lack of protection from the scorching sun and heavy rain, inadequate ventilation, and overall uncomfortable conditions for commuters. The survey findings are a compelling call to action, highlighting the need for enhanced, commuter-friendly bus stop shelters in South Florida.
HELPING YOU & OTHERS
ONE STRUCTURE
MANY FUNCTIONS

The cocoon provides essential features to comfort you in your daily life.
+ Provides refuge from the Rain
+ Protects you from the Sun
+ Shelters you from the Heat
+ Lights you in darkness
+ Harnesses the power of the sun
+ Lets you see your surroundings
+ Allows breezes to cool you
+ Keeps your devices powered
+ Holds your things
IT GIVES YOU POWER
LITERALLY
Charging Station


PROTECTING EVERYONE
ACCESSIBLE
TO ALL


NO MATTER WHO NEEDS PROTECTION, WE'LL PROVIDE IT.
Taking into consideration the different needs of all our users, the design is flexible to adapting to different needs.
COMMUNITY ENGAGEMENT
EMPOWERING THE YOUNG

Enable the community to add their local touch to the structure.
The project goes beyond providing shelter; it offers a surface for local young people to paint, giving them a chance to express themselves through art. This opportunity will help them gain recognition and jump start their careers.
receiving recognition
United Nations International Day of Girls in ICT to Meet the SDGS.

Flyer for the event.
"Presenting at the United Nations International Day of Girls in ICT with Accountable Impact was truly inspiring. Sharing the Cocoon project alongside fellow advocates for positive change was an honor. This event highlighted the importance of collaboration and innovation in addressing global challenges. Grateful for the opportunity to contribute to such impactful discussions."
— Mariana Lora
Format
VIDEO
Date
Apr. 25, 2024
DURATION
14 min.
The United Nations Association of the USA, Global Futurist Initiative, and Accountable Impact are hosting the commemoration event "Intersecting Gender and ICT to Meet the SDGs" for the UN Observance of International Girls in ICT Day. Held annually on the fourth Thursday in April, these organizations aim to raise awareness about the need to have a gender lens in the information and communications technology (ICT) sector and its significance in the pursuit of meeting both Sustainable Development Goal (SDG) 5 Gender Equality and SDG 17 Partnerships for the Goals.

The Membrane
Coconut Grove, FL.
2023
Typology
CULTURE
Address
3574 Grand Ave, Miami
Square Footage
13,100 SQ.FT.
Zoning Code
T5
Material
Bamboo
LET IT FLOW THROUGH
As sea levels rise, architectural norms must adapt to nature's evolving forces. In South Florida, where land-based structures face obsolescence, floating buildings emerge as the future. Given uncertainties, the design incorporates bamboo, an eco-conscious choice. If sea levels surpass 5 feet, the bamboo structure touches water, initiating gradual decomposition that prevents environmental harm. Doubling as a membrane, it welcomes natural light and wind while resiliently embracing changing conditions.
THE COMMUNITY & THEIR NEEDS
PLAN - LEVEL 1
THE MARKETPLACE

Welcome to "The Marketplace" – your community's hub for supporting local businesses and promoting well-being. Here, we connect you with diverse local products and services, fostering economic growth and enhancing our collective quality of life. Join us in investing in the heartbeat of our community and building a stronger, more vibrant local economy.
Rendering
The 3 Levels
& Sea Level Rise

The design features three distinct levels: the market, gallery space, and the topmost nook space, all coexisting with the bottommost level—the sea level rise.
CLIMATE CHANGE
SITE
3597 Grand Ave, Miami, FL 33133

In flood-prone South Florida's Coconut Grove, building for future conditions is crucial. The project integrates resilient features to adapt to potential increased flooding and high winds.Coconut Grove was the first area to be settled in South Florida. It contains houses dating back to the 1800s. Such constructions have survived floods, hurricanes, and have provided shelter from South Florida’s harsh heat for hundreds of years. Based on the techniques with which these houses were built, the design of the Membrane has emerged.
Hand sketch
BUOY SHAPE

The design draws inspiration from buoys, known for their stability in turbulent conditions. By emulating this stability, the project enhances its resilience to unpredictable forces and adverse conditions.
CYL (1)
1/3
STABILITY
VENT
LOW IMP
CYL (1)
reduces wind impact, preserving the structure over time.
1/3
The mass is divided into three components for three distinct programs.
STABILITY
The mass decreases with each level above to enhance stability, with the largest mass at the bottom, progressively smaller as it rises.
VENT
Openings are positioned around the facade to facilitate cross ventilation throughout each level's circumference.
LOW IMPACT
Smoothing the edges enhances wind flow around the building efficiently.
PROTECTING ITS HISTORY
WISDOM FROM THE PAST

The Membrane, influenced by the rich architectural heritage of Coconut Grove, draws inspiration from its landmarks. By studying their construction, materials, and design considerations, the Membrane seeks to emulate the local structures' distinctive feel while embracing a contemporary and sustainable approach. In doing so, it aspires to seamlessly integrate into Coconut Grove's unique architectural landscape, preserving the neighborhood's character and contributing to its ongoing legacy.
POPULATION
Medium
Photography
Photographer
Ralph M. Munroe
The Easterners, "swells."
The Natives, Seminole tribe
The Bahamians
Worker of the Peacock Inn
The Barnacle being lifted off the gound
Picnic gathering
Boats on the Miami coast
Coconut Grove stands as a testament to its multifaceted past, with its historic sites, cultural diversity, and architectural significance reflecting the enduring legacies of the Seminole Tribe, the Bahamian immigration, and the continuous evolution of the land. This neighborhood remains a dynamic hub, seamlessly blending its rich history with the present, creating a unique and captivating community along the shores of Biscayne Bay.
INFLUENTIAL LANDMARKS

CAPE FLORIDA LIGHT I 1812
1200 Crandon Blvd, Key Biscayne
“The land behind the light.”
In 1812 the original lighthouse is built, composed of a wood frame octagonal tower with a brick stairwell.
The lighthouse-keeping family of Temple Pent (a Bahamian immigrant) & then Joseph Frow (1st person to buy land) would take over after Pent’s death.
By the 1830s the coastline is made safe for sailors
Scavengers are drawn by the shipwrecks’ treasures on the Great Florida Reef
1859 new lighthouse is completed, made of red brick with a spiral iron staircase.

PEACOCK INN I 1883
3242 Charles Ave, Miami
Original name: Bayview House
Charles Peacock & Isabella Peacock’s home which accommodates paying guests
Beginnings of Coconut Grove’s tourism industry
Originally composed of a two-story wooden structure with a large verandah
It attracted Bahamian workers to service the hotel, who would settle in what is now Charles Ave.
Closed in 1902 due to Peacock’s ill health
The building was torn down in 1926

MARIAH BOWN’S HOUSE I 1890
3298 Charles Ave, Miami
Built in the late 19th century by Mariah Brown, a Bohemian immigrant, this Conch house in Coconut Grove boasts a distinctive A-framed structure crafted from Dade County slash pine. Designed to endure the region's humid and hot climate, the residence features a low-sloped roof, adorned with wooden shingles, generous overhangs, and operable sash windows. Mariah's home was among the first Black families' settlements in Coconut Grove. It underwent extensions in the 1920s and 50s. This house offers a glimpse into the rich history of its original owner and the vibrant community she helped shape.

THE BARNACLE I 1891
3485 Main Hwy, Miami
The Barnacle, a testament to the creative brilliance of yacht designer Ralph M. Munroe, stands as a unique marvel. Constructed on railroad jacks with materials salvaged from shipwrecks, this architectural gem showcases a meticulously designed square hipped roof, with each corner oriented precisely to the cardinal points. Positioned to capture the southeast breeze and winter sun, the main entrance creates a warm and inviting atmosphere. The veranda, open on three sides and shielded from the intense western sun, offers a delightful space to embrace the tropical surroundings. Cleverly operated by ropes and pulleys, clerestory windows on the east and south ensure efficient air ventilation. The framework, a homage to vernacular architecture, is ingeniously fashioned from shipwrecks and securely bolted to the foundation. To accommodate growth, the first floor was elevated, adorned with a stucco exterior that seamlessly blends with the coastal landscape. Munroe's vision and craftsmanship converge in The Barnacle, an enduring symbol of coastal living and architectural innovation.

EWF STIRRUP HOUSE I 1897
3242 Charles Ave, Miami
E.W.F. Stirrup's residence, crafted from robust Florida pine, withstood the formidable 1926 hurricane, showcasing the resilience of this remarkable wood. The house is raised on cement piers to protect the wood frame, the architectural decision underscores Stirrup's foresight. The front porch, emblematic of community engagement, harks back to Stirrup's Key West roots, where he first established himself at the age of 15. In his decade-long apprenticeship as a carpenter, Stirrup's profound expertise shines through the intricate woodwork that graces the house.

MULTI-FAMILY UNITS I 1958
3600 Grand Ave, Miami
During and after WWII many soldiers found Coconut Grove to be their new home.
Many black buinesses were pushed out to make way for this multifamily unit apartments.
There was an economic boom as the soldiers brought money to spend, but the atmosphere tranquil enbviorment of Coconut Grove was radically affected by this.
Porch on both levels, promoting social interactions between neighbors.
Composed of small living units with the necessary amenities.
PINUP-LESS
MMC, FIU.
SPRING 2024
Typology
ART INSTALLATION
Material
1 MONTH PRINT WASTE
COLLABORATION
Justina Vaicelionyte
JOHN CABAUY

THIS ISN'T EVEN 1/2 OF IT.
An architectural pavilion constructed from a semester's printing waste at FIU's Architecture Department aims to raise awareness about excessive printing. This issue is prevalent not only at FIU but also in architectural departments at universities worldwide. The project highlights the environmental impact of overprinting and encourages more sustainable practices.
IN NEED OF CHANGE
HOW WE FEEL

Hero & Sean O'Sullivan
“This is a frustration project.”
— Sean O'Sullivan
IT'S JUST OLD SCHOOL
IT'S JUST UNECESSARY
Like us, many architecture students feel frustrated when having to print for a weekly PINUP.Many find them unecessary, a waste of time, and worst of all, a waste of paper.




US
WHO WAS BEHIND IT?

Justina Vaicelionyte & Mariana Lora
Enable the community to add their local touch to the structure.
The project goes beyond providing shelter; it offers a surface for local young people to paint, giving them a chance to express themselves through art. This opportunity will help them gain recognition and jump start their careers.
INICIATORS
John Cabauy
Mariana Lora
Justina Vaicelionyte
Pinup donators
Shend Bejkollari
Veronica Dominguez
Mariana Lora
Alexa
Justina Vaicelionyte
Marcson Tanis
Angela Sweidn
VOLUNTEERS
Shend Bejkollari
Jennifer Zukoski
Sebastian Plasencia
Nathon White

Un-Permanent
Biscayne Bay, FL.
2022
Typology
CULTURAL
Material
Bamboo

The Un-Permanent pavilion in South Florida is a bamboo-based structure designed to offer recreational spaces with stunning coastal views. As the region faces increasing flooding due to rising sea levels, the pavilion is a resilient solution. Constructed from biodegradable materials, primarily bamboo, the pavilion not only withstands changing environments but also adapts to them.
THE COMMUNITY'S NEEDS.
Plan
Un-Permanent

The main objective behind the pavilion's design was to create a structure that could endure the effects of flooding, including those expected from intensifying hurricanes. The use of bamboo as the primary material ensures that the structure remains environmentally friendly. In the unfortunate event that the pavilion is damaged by a hurricane or becomes inaccessible due to sea level rise (a projected five-foot increase), the bamboo structure would make contact with the rising water and begin a natural process of decomposition. This decomposition process is both ecologically sound and a fitting end to the pavilion's lifecycle, as it returns to the environment without causing pollution.

The Openings
2022
Typology
CONCEPTUAL

I created an abstract design by grid-mapping a painting, then carved it onto a slab for a two-dimensional effect. This evolved into a cube, which I sculpted and manipulated to create synthetic spaces. The process involved balancing between chaos and order, exploring the impact of varying degrees of intervention. The result is a series of dynamic frames and masses, embodying the tension between too much and too little.



United Nations International Day of Girls in ICT to Meet the SDGS.
Live International Pannel
The United Nations Association of the USA, Global Futurist Initiative, and Accountable Impact are hosting the commemoration event "Intersecting Gender and ICT to Meet the SDGs" for the UN Observance of International Girls in ICT Day. Held annually on the fourth Thursday in April, these organizations aim to raise awareness about the need to have a gender lens in the information and communications technology (ICT) sector and its significance in the pursuit of meeting both Sustainable Development Goal (SDG) 5 Gender Equality and SDG 17 Partnerships for the Goals.
BUS STOP SHELTERS SURVEY
NORTH MIAMI BEACH, FL.
Join us in this eye-opening video as we dive into the results of a comprehensive survey conducted in South Florida, where we interviewed over a dozen bus users to shed light on the daily challenges they face while waiting for the bus. This initiative aims to raise awareness about the inefficiencies in bus stop shelter designs, highlighting issues such as a lack of protection from the scorching sun and heavy rain, inadequate ventilation, and overall uncomfortable conditions for commuters. The survey findings are a compelling call to action, highlighting the need for enhanced, commuter-friendly bus stop shelters in South Florida.

ABOBE CONSTRUCTION + 200 YRS. OLD HOUSE
SANTO DOMINGO, COSTA RICA
COMING SOON...
MARIANA LORA
EDUCATION
Incoming Spring 2025
ACCELERATED MASTER OF ARCHITECTURE
Florida International University
ORGANIZATIONS
NOMAS — E-BOARD
UNITED NATIONS — MEMBER
AIAS — MEMBER
LANGUAGES
ENGLISH — FLUENT
SPANISH — FLUENT
FRENCH — INTERMEDIATE
ITALIAN — INTERMEDIATE
SKILLS
Project management
Research
Designing
Branding
Drafting
Model Making
Web Creator & Designer
Video Creator & Editor
Hand drawing
Painting
Sculpting
Sales
3D Printing
Laser Cutting
PROGRAMS
Adobe Creative Suite
AutoCAD
Rhino
Grasshopper
Revit
Green Building Studio
Lumion
Midjourney
MS Office
Arc GIS
Promai
EXPERIENCE
VERDORA | FOUNDER & CREATIVE DIRECTOR
Jul 2024 - CURRENTLY | South Florida
As the founder of VERDORA, I lead a design studio dedicated to improving communities through public infrastructure, art installations, and community-focused initiatives. I collaborate with private entities, nonprofits, and government agencies to deliver innovative, sustainable design solutions, overseeing project strategy, creative direction, and execution to ensure meaningful impact.
KAP | ARCHITECTURE PROFESSOR
NOV 2024 - CURRENTLY | Weston, FL.
As the architecture professor for the Weston, FL location. In this role, I contributed to developing the Weston program by recruiting students, designing and delivering engaging lessons, and assisting students in securing scholarships to cover program costs. Additionally, I guided students in preparing portfolios and facilitated introductions to local universities.
BARR ARCHITECTURE & COMMERCIAL CONSTRUCTION I PROJECT MANAGER
JUN 2024 - CURRENTLY | Davie, FL.
Oversaw the development of technical drawings and design solutions for as-builts, managed site inspections, and ensured the production of accurate as-built documentation for commercial projects. Coordinated project workflows to meet deadlines and maintain quality standards.
THE CITY OF NORTH MIAMI BEACH | RESEARCHER
Jul 2024 - Dec 2024 | North Miami Beach, FL.
Conducted research for the City of North Miami Beach, addressing challenges in public transportation, walkability, and pedestrian protection. Met with city officials and residents to advocate for actionable solutions to enhance urban mobility and ensure a safer, more comfortable environment for residents.
HILLEL INTERNATIONAL I STUDENT DIPLOMATIC DELEGATE
AUG 2023 - Dec 2023 | Israel · Hybrid
Represented Florida International University in discussions with Israeli and Palestinian (political & community) leaders, focusing on solutions to major social and political challenges in their communities.
GENSLER I MENTORSHIP
JUL 2022 - MAY 2023 | Wynwood, Mimai, FL. · Hybrid
Actively contributed to project revisions, data analysis, and drafting revisions. Worked closely with Strategist & Technical Designer Corina Ocanto.
MANDACARU MIAMI I DESIGNER, ASSISTANT STORE MANAGER, & PAINTER
APR 2021 - AUG 2021 | Coral Gables, FL.
Collaborated with renowned ceramist Ana C. Mastrodomenico to develop over 50 unique ceramic designs featuring her signature techniques. Managed store operations, facilitated project commissions, and curated ceramic collections from Italy and Brazil. Successfully executed a prestigious commission for Jorge M. Pérez, solidifying the brand's reputation for quality and artistic excellence.
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LEADERSHIP
LEADERSHIP MACABEE TASK FORCE I RECIPIENT
AUG 2023
Recipient of the 2023 Maccabee Task Force leadership prize. Only twenty-two scholars from Florida International University were selected to travel to Israel, meet with local leaders and activists, and study the intricate political and cultural landscape of the country.
ARCHITECTURAL AUTHORITY I FRAMING THE FUTURE - PODCAST SPEAKER
SEP 2024
Invited guest on Framing the Future, an Architectural Magazine podcast, to discuss personal insights on architecture.
NOMAS I RSO REPRESENTATIVE
AUG 2023 - MAY 2024
Maintained the organization’s standing within FIU by reporting all necessary information to CSO every month. Attended and recorded all activities that the organization participated in. Managed the organization’s website profile. Communicated with the organization’s members and the other officers.
NOMAS I SUSTAINABILITY TEAM DIRECTOR
AUG 2023 - DEC 2023
Entrusted with directing the sustainability department for the FIU NOMAS team at the 2023 NOMAS Competition in Portland, Oregon.
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ACHIEVEMENTS
UNITED NATIONS I UN YOUTH PANELIST
APR 2024
Invited to present at the United Nations Youth Panel for a project that advocates for the enhancement of public transportation installations and their design.
RATCLIFFE FOUNDATION I RESEARCH FELLOWSHIP (2nd year fellow)
AUG 2024 - MAY 2025
Recipient of a $10,000 scholarship from the Ratcliffe Art + Design Incubator - an exclusive program selecting fewer than a dozen students annually from FIU's CARTA & Business departments - to support fieldwork and research.
RATCLIFFE FOUNDATION I RESEARCH FELLOWSHIP (1st year fellow)
AUG 2023 - MAY 2024
Recipient of a $7,000 scholarship from the Ratcliffe Art + Design Incubator - an exclusive program selecting fewer than a dozen students annually from FIU's CARTA departments - to support fieldwork and research.
AUTOMATION FOR ARCHITECTURE I CO-AUTHOR
JAN 2021 - DEC 2021
Co-author of the "Automation for Architecture" research article. Selected to present the research’s findings at the 2022 Undergraduate Research Fair of Florida International University. Featured in Florida International University's newspaper for notable work in the Automation for Architecture research project.
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CERTIFICATES
LEADERSHIP AGILITY I CERTIFICATE
JAN 2024 - MAY 2024
The Leadership Fundamentals Certificate, awarded by the Center for Leadership, recognizes mastery in navigating change and uncertainty. Earners have demonstrated their ability to manage change, trends, resilience, healthy work cultures, strengths, and conflict, preparing them to lead confidently in dynamic environments.
FUNDAMENTALS OF BUSINESS DEVELOPMENT FOR CREATIVE PRACTICIONERS I CERTIFICATE
AUG 2023 - JAN 2024
The Creative Entrepreneurship Certificate, from the Ratcliffe Art and Design Incubator, recognizes proficiency in aligning creative practices with business models. Recipients can transform ideas into sustainable products, engage customers, and utilize business canvases for their ventures.
MOMA - Reimagining Blackness & Architecture I CERTIFICATE
MAR. 2021
The course explored how race has influenced architecture and the built environment, highlighting the contributions of Black architects and artists in advocating for justice and equity. Allowing the understanding of how these pioneers have reimagined and shaped spaces to create better futures.